Icarus of the Condos

Things slow down.

His body slows as it falls, speeds up
when it hits the ground.


and a puff of white from the dirt below,
a punch in the gut from above.

Dead stop.

Birds freeze mid-flight.
Dogs catch their barks in their throats.

Rain falls from the sky.
The boy who falls has fallen.

Bare feet.

White soles like searchlights
My eyes like moths.

His mouth in the shape
Of an “O”.


A newborn on his belly.
A liquid halo.
An octopus reaching for the sea.

Chat Room, 1999

You are made up of letters.
Your intentions read left to right.
You consist of
A thesaurus and nights
Spent with novels gleaning
Clever phrases from
Already harvested fields.

(Haven’t I heard that
Somewhere before?)

On the phone
Your voice has
The familiarity of a
I stare at the receiver and see
An eye
Or a finger
Left over from chance meetings
In other rooms.

I know you)

Between your lines and
The expectant glow of
A fifteen inch screen
We lie in a bed of words.
Your touches are my own.

(Until your browser crashes.
Or mine)

I’ve waited for you here
For the approximate time it takes
To reboot, wondering
If you’ve gone back
To your dinner
Or changed your name
Into something ridiculous
And unknown.

You leave no fingerprints,
No indentations or dirty sheets
And there is nothing to be said
That we haven’t already said
To someone else
At one time
Or another.

(There is nothing to be done.
We are out of each other’s hands)

Powder, Butter, Clouds

Even the colours I hate are magnificent in pastel form.  The slightest contact yields a universe.

I want them all. I want trays and trays of rainbow coloured sticks so bright I can only look at them out of the corner of my eye, spread out on a table in an artist’s buffet.

I run the side of a Sennelier in garish orange and I think of creamsicles and my mouth waters. I let a streak of it kiss the side of green tree with a purple shadow and I feel absolutely decadent. My eyes dart back and forth trying to take it all in, trying to keep themselves in their sockets even though they long to dance across the surface of the page.

Such a soft medium. No hard edges. No yes or no, everything is perhaps in pastel. Everything melts into everything.

The tree is part of the sky is part of the water is part of the barn is part of the frame. Layered over and over, not to cover but to communicate with preceding layers. The history of the making of the painting available to anyone who cares to look.

Really look. Up close, you can see each swipe, each scumble, the tips of dusty fingers, the surface of the paper and maybe even the table it sat on. Maybe even the floor the table sat on. Maybe even the footfalls of the artist as they paced the room, energy bursting inside, longing for expression.

Going Back

I’ve been using my shirt as a rag, wiping barbecue sauce off of my fingers. I’m too hot and too tired to be embarrassed. Besides, it’s Ribfest and I’m not the only one.

I head down Dundas toward Wellington, passing storefronts that haven’t changed in fifteen years. The Scottish pub flicks it’s carriage lights on as I pass. The little parlour on the corner pumps out mediocre pizza smells. The used bookstore opens it’s door and Ace Is Base sings memories down the street. I sing along until I’m out of range. If you wanna leave, I won’t beg you to stay…

I make my way to the bus stop on the corner and dig into my pockets for change.

A man in a torn tee, baggy jeans and a cloak of body odour smiles at me, a rib bone sucked clean and hanging from his greasy lips.

“Saw you at the Ribfest,” he says with a nod to my shirt. I fold my arms over my chest even though it’s too late. I don’t want to engage him but I can’t help it. I nod back, eyes fixed on the bone and the orange drips forming on his chin. He contorts his lips and adjusts the bone from one side to the other, sauce leaking.

He stares at me, chewing, until the bus squawks up to the curb and then he smiles and hops on. It’s the one I’ve been waiting for too but I step back and wave the driver on.

The bus lurches forward pulling away from the curb and I sit on the stoop of the nearest building, wiping my sticky bangs off of my forehead with the back of my hand. I pull my purse unto my lap, waiting in the afternoon heat, forgetting that buses don’t come as often here. I peer down the street in vain.

My knuckles feel the first drops just as the thunder cracks making everyone startle and look up. They dip into their bags, pull out their umbrellas and begin unfurling.

I haven’t got an umbrella. I’d forgotten about these summer storms. I press myself against the building but the rain comes at me sideways, soaking me through and, by the time the next bus arrives, I remember everything.

Dear Diary

I kept a diary when I was thirteen filled with unreturned crushes and one-liner pain.

I kept a diary when I was thirteen filled with unreturned crushes and one-liner pain.

Now, I turn the pages, running my fingers along the words as I read them. It’s a old habit – keeping track in the dark. I can feel the parts that have been etched into the paper by a pen pressing a little too hard. What were the words that you really wanted to write, I ask myself. Who did you think you were writing for?

Reel to Reel

Grandpa would sit me next to him in the parlour and play songs on an upright piano, singing into a microphone he’d hooked up to an old reel-to-reel recorder. He’d learned to play songs by ear; Honky Tonk and The Blues, Country and Western. Sometimes, he’d take requests and I’d always choose “Frankie and Johnnie” because it had a dramatic story to it. His voice was hollow like a big empty room and I’d watch his Adam’s apple travel up and down his long throat while he stretched himself skyward, his eyes closed, his hands spread over the keyboard, his fingers fanned out, wavering on the worn ivories.

After Grandpa died, his piano, his recorder, his tapes all vanished in the cleanup, gone to Goodwill by someone who had never sat on the bench or been the audience to his private concerts. But I know those sounds and I am the recording. I have a room inside me for an old upright, and a reel to reel.

I tap my foot on my hardwood floor, head back, eyes closed. I hear his foot on the pedals, the pop of the microphone. The hum that is me.

Oh, Lordy, how they did love.


We hadn’t had sex in months. Instead, we’d spoon. I was always the little spoon even though I was the bigger of the two. He’d form himself to my back pressed into me like another skin and I could feel his breath on me – irritating, rhythmic exhalations – until I couldn’t stand it any longer and I’d curl up into a tighter ball, pushing him away with my hip. He’d make a tentative play for something more, a light caress up the side of my arm, a hand inching around my waist. My body would will him away, stiffening against his stiffness until he’d get the idea and turn back, forming his own ball, our bums touching.


The radio counted down all of the hits from 1979. Another One Bites the Dust – one of my favourites – and I picked up a stone, flat and smooth and perfectly oval, and skipped it into the middle of the lake. I was dancing now, singing along (machine guns ready to go), firing off pebbles in rapid succession. I glanced up the dirt road to the top of the hill and saw a dust cloud travelling down the switchbacks. Another minute or two and he’d be here.

Smile Scar

I don’t remember how I got the scar on my right thigh. It’s shaped like a smile but not a happy one. More of a forced smile – the kind you give a distant relative who’s come to visit and is motioning you to come in for a hug.

I had relatives like that, all the way from Hungary. They couldn’t speak a word of English and they smelled like basements. Would I smell like that too, one day?

My Grandmother did although my Grandfather didn’t. But they both smelled the same at the end – like honey and sweat and wilted flowers, sympathy cards and nightgowns.